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Weston’s
paintings are based on field drawings and out door observation. But
he also carefully planned out their design and composition in his studio.(67)
He saw design elements in the ‘soaring peaks [that] rise in successive
rhythmic lines of patterned light and shadow as sunlight reflects off
snow…"(68)
"Weston’s fascination with the big,
empty B.C. landscape with its awe-inspiring views and clean, crisp light
is conveyed most impressively in his huge paintings of mountain peaks.
The small accompanying drawings in black and white chalk show how carefully
each painting was planned and designed."(69)
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