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"His
Cradle of the Clouds is built with the same strength in contrasts of
wind-swept sky, soft green undulating swamp land, and a patch of stagnant
water reflecting the cloud forms. Even the grass blowing at the edge
of the water is well-treated. But the centre of interest is found in
the masses of clouds swirling to a storm over the grey green peaks."(25)
As Weston’s knowledge of the coast deepened,
so did his sense of design. Critic Ian Thom attributes Weston’s matured
style to the growing influences of art nouveau/deco and Japanese pattern
books. He incorporated these with "heavy, opaque brush strokes,
a strong sense of mass and a linear, decorative design."(26)
Weston applied these elements to his
paintings for the rest of his career. "He employed them to advantage
in striking images of the coastal trees and mountains and later the
Okanagan and Kootenays."(27)
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